After Mike Oldfield blaze that heaven was open in one of his most mediocre (but which served to settle his contract with Virgin Records ), this prodigious musician is still going to inflict another blow to Richard Branson and his cronies recording with another company ( WEA Records) which had spent years asking: Tubular Bells II .
The album was, as expected, a success. Instrumental structure, melodies and the thickness of the composition (this time divided into 14 individual slices) followed the same line as that magnificent debut would launch a Mike Oldfield to the top of the music symphonic and experimental 19 years ago, but precisely what it was. The album name and cover confirmed that it was a sequel, a more mature then, innovative new media and technology that had been developed largely in the earlier 80s.
However, it is fair to say that it is simply an update of Tubular Bells. Tubular Bells II in find new passages, new atmosphere and, ultimately, an entirely new work that preserves a necessary result that the disc could have the honor of being called Tubular Bells II .
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